Dissonance—Disonancia: Belonging Within Language & IdentityResearch, Exhibit, Installation, Print2025,  Senior Thesis • Monograph • Softcover • 7.5 x 11 in • 108 pages

+Thesis developed in the Graphic Design Program at ASU, consisting of an installation and accompanying monograph that examine how language shapes identity through inheritance, translation, and belonging.
Exploring the relationship between language and identity, the installation invites visitors into a space shaped by inheritance, translation, and connection. By working with the natural qualities of wood and fabric, it reveals dialogues between solidity and fragility.
Through layered materials and shifting light, tensions between permanence and transparency unfold, evoking how language configures memory and experiences of belonging.







Keepsake: so i don’t forgetPrint, Photography, Editing
2025, Commonplace book • 4 x 6 in • 78 pages • 2-hole punch

+Commonplace book documenting a trip to New Jersey and New York City, gathering impressions from streets, storefronts, museums, and transit into a single, tactile record.
Serving as a space for collecting design inspiration, recording observations, and preserving memories, this archive reflects on the intersections of design and culture while exploring how design can influence everyday experiences.




INTERSTICE: The History & Revival
of the Breeze Block
Spatial, Identity, Type2024, in collaboration with Andrew Burgess-Vargas • C-IDEA Design Award 2025

+INTERSTICE is a museum exhibition that traces the evolution of breeze blocks, from their origins in mid-20th-century architecture to their contemporary revival in sustainable design.
Through photographs, models, and archival materials, it highlights the material’s versatility, craftsmanship, and enduring form and function, celebrating its relevance in both historic and contemporary spaces.







Tension/Release: Issey Miyake Artek
Editorial, Identity, Print2024

Conceptual pop-up collaboration exploring the intersection of art, functionality, and technology, by combining Miyake's 1993–1998 “Pleats Please” collection with Artek's modernist furniture.







Collect & Capture
Photography, Data Visualization2024

+A data-driven approach to organizing photographs, exploring how data visualization can be a medium for creative expression, seeking to transform how data is experienced.
Patterns emerge through sequence, frequency, location, composition, proportion and ISO settings, revealing new relationships within the data.
All photographs taken on a Samsung SH100 Digital camera. Set in San Francisco and Alameda, CA.





St. Chroma Poster Series
Printmaking, Typesetting2024, Letterpress workshop • Cattlecreek Ranch, Arizona • 11 x 17 in